Posts Tagged ‘Otto Preminger’

Movie Reviews 446 – Stalag 17 (1953)

August 21, 2020

Stalag 17 has always been one of my favourite WWII movies and a film that was on my DVD search list for a long time. As luck would have it, when I recently acquired an entire box full of free DVDs whose actual contents were a mystery, there it was at the very bottom. Score!

Now the first thing about the title is that it would sound awfully familiar to anyone who used to watch the old Hogan’s Heroes sitcom which took place in Stalag 13, “Stalag” being the German term for prisoner-of-war camps. While there are a few similarities including a doltish sergeant Schultz as a character, the similarities pretty much end there.

Another one of director Billy Wilder’s acclaimed films, this comedy drama sometimes gets short shrift only because he was such a prolific and successful director. And with a competing roster that includes Double Indemnity, Some Like it Hot, Witness for the Prosecution , The Apartment, Ace in the Hole , and Sunset Boulevard, who can you blame?

William Holden, being no stranger to playing a POWs as he did in The Bridge on the River Kwai, won the Academy Award for Best Actor playing J.J. Sefton, one of the inmates in Stalag 17. Ostracized not only because he trades with the German guards for favours, but also because he runs a bunch of schemes such as mice races earning him cigarettes and dough from the other inmates.

Sefton’s troubles begin when two escapees are shot the minute they make their break, a sure sign that the Germans were tipped off and laying suspicions that Sefton may have been responsible. When two new prisoners arrive after blowing up a German ammunition train and one of them is soon summed by the Commandant, Colonel von Scherbach (marvelously played by renown director Otto Preminger), only those sharing Sefton’s barracks could have spilled the fact that the new prisoners were involved in the sabotage. Now convinced that Sefton is the stoolie the former mere antagonism by his fellow captives turns to violence with a vicious beating and the confiscation of his lucrative personal goods chest. Not only is Sefton now a complete pariah, but what bothers him most is that there is a traitor among his fellow cabin inmates who no longer has to fear suspicion given that a convenient, yet innocent, scapegoat has already been identified. Even once Sefton does figure out which of his mates is the turncoat he realizes that merely outing the enemy in their midst would only be a temporary setback for them. Sefton must use his conniving mind for his greatest scheme of all if he is to come out on top this time.

Wilder brilliantly lays out a hilarious comedy while not sacrificing a moment of drama with many characters playing equally in both dispositions. Among the comedic elements, front and center are Harry “Sugar Lips” Shapiro (Harvey Lembeck) and Stanislas “Animal” Kuzawa (Robert Strauss) the former goading the latter who fantasizes romancing famed war pin-up Betty Grable. Other amusing characters include a prisoner unquestioning his wife’s highly questionable letters, while on the darker side we have a shell-shocked prisoner who no longer speaks and only finds solace playing his prized ocarina.

Fans of the original Mission Impossible series will take note of a young Peter Graves as the designated Security Officer, and future director Don Taylor among the POWs.

Watch this for the drama or watch it for the comedy, either way you will be entertained with a brilliant screenplay that straddles the dichotomy right down to the very last words.

Movie Reviews 408 – Laura (1944)

September 28, 2019

I’ve been saving this one for quite a while as I’ve been plowing through tons for Film Noir this past year. While I can’t say Laura is my favorite – that’s still a toss up between All About Eve, Double Indemnity and Leave Her to Heaven – it clearly ranks as one of the best murder mysteries of the the era, which, being the heyday of the genre, makes it one of the best period.

There are so many unique aspects to the plot that I hardly know where to begin. From the very beginning voice over, we know that Laura (Gene Tierney at the top of her game and beauty) has been murdered and detective Mark McPherson (Dana Andrews) is already working on the case. The prime suspects are the two men who were very much in love with Laura and fighting for her affections. In one corner we have the cultured and respected Waldo Lydecker (Clifton Webb), a newspaper gossip columnist. Older than Laura but appealing from an intellectual point of view he has steered and looked after her for years. His nemesis for her heart is the brash young philanderer Shelby Carpenter (Vincent Price) whom Laura has had an on again, off again, engagement. But these two contenders loath one another beyond the battle for Laura’s love.

This is no mere whodunnit. While this begins as some love triangle gone too far, the triangle (such as it could be given that the love interest is dead) becomes a square as detective McPherson is clearly falling in love with the object of his inquest.  But the mystery goes one step further when Laura suddenly walks back into her apartment, oblivious to her own headline making murder. Aside from figuring out whose body was really found, Laura must now contend with the exposed events and revelations that have surfaced since her departure. And the victim now becomes a suspect in what was assumed to be her own murder.

Directed by Hollywood rebel Otto Preminger – while he gave us a litany of great films, for myself he will always be foremost remembered as the POW commandant in Stalag 17 – this film is brimming with delightful eccentricities. McPherson’s incessant need to pull out one of those old child toy dexterity puzzles (where you have a number of balls rolling across a flat cardboard with a few shallow holes and by gingerly tilting the toy the player tries to seat each ball into one of the holes). Then you have Lydecker doing all of his writing sitting naked in his bathtub with his typewriter on a platform. While I cannot be sure this could only have been an allusion to famed screenwriter Dalton Trumbo who had that habit in real life. (While your at it. do yourself a favor and watch Bryan Cranston’s Oscar winning performance in Trumbo.)

The performances are superb with Webb at his best, and a reminder that Price was a distinguished mainstream actor long before he became synonymous with horror. Although you would never know it Tierney was well on her way to mental instability that would soon end her career while filming this.

Film Noir at it’s best.