Movie Reviews 423 – Forbidden Planet (1956)

Ah, the classics! While Forbidden Planet is certainly one of the classics when it comes to 50’s Science Fiction films, the fact that it shares a number of elements from Shakepear’s The Tempest adds to its legitimacy to the term. Notably preceded by Destination Moon, Rocketship X-M and Conquest of Space as films that attempted to portray scientifically accurate depictions of future space travel, it nonetheless pushed a few boundaries forward and introduced us to  Robby, the first loveable (I liken him to a walking vintage washing machine) cinematic robot.

The story has the crew of Earth spaceship C-57D voyage to distant planet Altair IV with the aim to relieve the crew of a previous mission, only to find that the only remaining inhabitants are the evasive Dr. Morbius (Walter Pidgeon) and his striking daughter Altaira (Anne Francis). Morbius at first tries to convince the commander (Leslie Nielsen) that all is fine and dandy, and that they should just move. But then the encampment around the landed spaceship is breached by someone – or some thing – who managed to evade their security detail and destroy some of their equipment. Dr. Morbius soon confesses that an amazingly advanced society called the Krell long ago inhabited the planet leaving behind a vast underground city of running machines and contrivances whose functions Morbius has been trying to ascertain. Morbius himself was exposed to one of their devices that doubled his own cerebral functions. Adams explains that such a find needs to be studied by humanity but Morbius contends that mankind is not ready for this discovery and that he, and he alone, must study the treasure trove of knowledge left by the Krell. As Morbius battles with bouts of headaches, the encampment of the C-57D detect a creature visible only when it tries to make its way through the protective force field as the one that has been attacking them. The truth of what the creature represents is shocking in more ways than even Morbius could have imagined.

A film ahead of its time, Forbidden Planet presents a high brow concept using visually stunning sequences that stand up to this day. The color palette and background matte paintings by Henri Hillinck are reminiscent of Chesley Bonestell SF pulp art covers. The look and feel of most of the animated sequences and trick photography remain comparable in quality to modern CGi effects. While anyone today would swear that the acclaimed music score are feature sounds from a theremin (popular in the era), they were in fact created by specialized electronic circuitry (predating synthesizers) created and operated by Bebe and Louis Barren, and are prominently identified in the opening credits. And of course there is Robby the bubble headed robot with whirling gears, antennae, lights, grills, ribbed flex-hose arms which can only be described as a gimballed Vegas slot machine.

The film centers it story around Altaira, who having grown up with only Morbius as a guide, is innocent and naive to the ways of the world (and wearing skimpy clothing that must have been shocking in the 50’s). As the all male crew of the C-57D journeyed two years before arriving at Altair IV, most quickly ply their best pick-up lines on her. All except the commander who of course ends up being the one she falls for.

Highly recommend for Science Fiction aficionados, those who want something a little more intellectual than a simple BEM (Bug Eyed Monster) and perhaps Shakespearean scholars.

I should add that while perusing the extra features on my Warner 2010 Blu Ray release I was surprised to find that it included The Invisible Boy, a lower budget feature film that was released the next year in order to capitalize on the popularity of Robby.

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